Un escroc charismatique et une prétendue équipe de tournage s'immiscent dans la vie de deux jeunes femmes meurtries. Mais les apparences sont parfois trompeuses…

Luke Hunter rêve de la mort de son nouveau meilleur ami, Stan, le gamin le plus populaire de l'école. Lorsque son rêve devient réalité, Luke est ostracisé et devient un monstre de foire, tandis qu'il tombe amoureux de Faith, qui s'avère être l'ex-de Stan et que les prémonitions continuent.

Frappé d'immortalité, Manji la fine lame accepte de devenir le garde du corps d'une jeune fille et promet de venger sa famille assassinée.

Sun, une fille d'école primaire se lie d'amitié avec une étudiante transférée pendant les vacances d'été. Lorsque le nouveau semestre commence, leur nouvelle amitié est mise à l'épreuve alors que Sun continue d'être la cible de harcèlement de la part de ses autres camarades.

Un groupe d'amis est invité à participer à une rave party sur une île mystérieuse. Arrivés sur place, ils sont attaqués par des zombies friands de chair humaine et par de monstrueuses créatures. Attaquant sur terre, dans l'air ou dans l'eau, ces monstres sont dirigés par une créature démoniaque terrée dans un sombre manoir...

Two brothers seek revenge on the yakuza responsible for the death of their father.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Nugget, Underwood and Short walk to the Half-Way House after the driver purposely wrecks the stage. They arrive late at night and it is so spooky that Nugget leaves for Amarillo. Unknown to him, the dead body of Short is in the wagon. When Sheriff Lane comes upon Nugget and the body, he goes to investigate and finds no trace of Underwood at all. But he soon finds that Underwood was carrying $50,000 in cash and he believes the story Nugget is telling.

A botched bank robbery leads to a tense pursuit, as a U.S. Marshal and tracker hunt down a thief. The chase evolves into a dangerous game of deception and changing loyalties, ending in a brutal confrontation.

A group of friends attempt to escape the city after an outbreak of demon-possessions. The friends seek shelter in an abandoned church, but their plans for escape are ruined when one of them becomes possessed.

Yamamura (Kenta Kawasaki), who has been an otaku since his school days, tries to hide his hobbies even during his time with youth gangs. One day, he falls in love at first sight with a transfer student, Akiko (Kazusa Okuyama), but it ends in heartbreak. Time passes, and Yamamura, Joji (Takashi Kitadai), and Ishizawa (Hiroto Honda) head to the Yamazaki family's regular meeting.

José Pedro de Freitas, better known as Zé Arigó, was a simple man who lived with his wife Arlete in Congonhas, Minas Gerais. During the 1950s, a time when Spiritism was not as well known and respected in the country, Arigó became a symbol of hope through his surgeries and spiritual cures. Based on a true story, Arigó, with the help of the spirit of Dr. Fritz, performed numerous spiritual surgeries on people from Brazil and the world.

Luciana, une jeune femme plongée dans un cercle de morts mystérieuses de proches et la suspicion croissante que le responsable est un écrivain énigmatique, son ancien patron.